You go to a bank and you stand behind a thin line and you wait for your turn to talk about your life and your money and you know that the person in the suit will not say your name too loud and they will not show your bank book to the man in the lobby. We have these rules for our money and we have them for our health and we have them for our deepest secrets because we know that some things are not for the crowd and they are not for the street.

You would not want to talk about your debt in a mall food court and you would not want to have a heart to heart with a doctor in the middle of a park and yet when we go to mark our skin forever we often find ourselves in a room that feels like a busy bus station.

The Edge of the Table

Carolina sat on the edge of the table and she felt the cold air on her skin and she had to pull her shirt up so the artist could reach her ribs and she felt very small. The artist was kind and his hands were steady and he had a soft voice but the

Sophie D.-S. adjusted the seal on her respirator, the familiar hiss of filtered air masking the low hum of the industrial fans. As a hazmat disposal coordinator, her life is a sequence of precise measurements and catastrophic consequences for being off by a fraction. She was currently staring at a 46-gallon drum of unidentified solvent that had been mislabeled by a panicked foreman.

In her world, a “vibe” about a chemical’s pH level is how people lose their eyebrows, or worse. She understands that the label is a promise, and when the label lies, the person cleaning up the mess pays the difference in blood or time.

I dropped my favorite Oaxacan mug at 6:46 this morning. It didn’t just break; it detonated into 66 jagged pieces of clay and glaze. I spent 16 minutes on my knees with a flashlight, trying to find the microscopic shards that always seem to migrate toward bare heels.

There is a journalism intern in a humid office in Mexico City named Elena. She is 26 years old and has been tasked with something that sounds